ARTICLES
Architecture in Motion: A Model for Music Composition
Abstract
The architectural acoustics’ data obtained from an enclosed space provides a unique numerical description of the aural properties of that specific space. These properties – like music – are in the realm of frequency, time and amplitude. This model proposes a system that “translates” the acoustical data of a room into musical terms, transforming the merely numerical acoustical values into the identity of a musical composition.
Constructing Music by Teresa Nakra. Book Review.
Abstract
Technology is a crucial tool for enhancing music creativity and pedagogy, enriching learning rather than posing a threat to traditional educational means. The integration of computers into music pedagogy allows educators to access numerous resources, refining teaching methodologies and inspiring students' musical pursuits. Embracing technology in music education enables dynamic exploration of composition, production, and performance, fostering an interactive and engaging learning environment. Computers and AI offer opportunities for revitalizing music instruction and deepening students' appreciation for the art form.
Los Sonidos de la Naturaleza y la Meditación Budista
Abstract
La relación entre los sonidos de la naturaleza y la meditación budista es un tema que ha suscitado interés tanto en la tradición budista como en la ciencia moderna y el arte contemporáneo. Este artículo aborda esta conexión desde una perspectiva que explora cómo la integración consciente de los sonidos naturales puede profundizar la experiencia meditativa y fortalecer la conexión con los principios fundamentales del budismo. La literatura budista está impregnada de referencias a la belleza y la tranquilidad de la naturaleza como un entorno propicio para la meditación. Desde tiempos antiguos, los practicantes budistas han buscado la calma y la serenidad de los paisajes naturales para cultivar la concentración y la atención plena.
Charlie Markov: An Algorithmic Approach to the Style of Charlie Parker
Abstract
The present work is based on the hypothesis that the improvisational style of saxophonist Charlie Parker is condensed in the first chorus of his solo in his tune Confirmation. In order to verify this initial question, the study proposes a series of probabilistic analysis from the solo that are integrated in an algorithm in SuperCollider as a Markov chain of the first order.
Reflexiones sobre la composición musical con algoritmos
Abstract
El presente trabajo propone una serie de reflexiones generales y específicas en torno a la composición musical con algoritmos y los procesos formalizables aplicados a la creación sonora.
This paper proposes a series of general and specific reflections on music composition with algorithms and the formalizable processes applied to sound creation.
Water, Sound, and Environmental Narratives in South American Art
Abstract
This paper examines how contemporary South American artists explore water as a medium for sound transmission, highlighting its acoustic, cultural, and ecological significance. Water serves as both a material and conceptual tool, intertwining the knowledge of native communities, ecological awareness, and experimental sound practices. By analyzing the work of ten artists this study investigates how water shapes their art.
